The comedy superstar called Mr. Stevens, who had represented him for 15 years, guiding his success from “In Living Color” on television to “Ace Ventura” in movies to a rare stratosphere of $20 million roles, to tell him that his services were no longer required. Instead, Mr. Carrey was moving on to that sprawling behemoth of Hollywood talent agencies, the Creative Artists Agency.
The comedy superstar called Mr. Stevens, who had represented him for 15 years, guiding his success from “In Living Color” on television to “Ace Ventura” in movies to a rare stratosphere of $20 million roles, to tell him that his services were no longer required. Instead, Mr. Carrey was moving on to that sprawling behemoth of Hollywood talent agencies, the Creative Artists Agency.
In particular, the studios began balking at the budgets of recent comedies and at the percentage of gross revenue they were expected to pay. In May, Fox pulled the plug on “Used Guys,” a futuristic comedy starring Ben Stiller and Jim Carrey, to be directed by Jay Roach, saying that the $112 million budget and back-end revenue deals were too high.
Shortly thereafter, another star vehicle for Mr. Carrey, “Ripley’s Believe It or Not,” was suspended at Paramount, when the studio protested as the budget climbed over $150 million and the star demanded changes to the script.
In particular, the studios began balking at the budgets of recent comedies and at the percentage of gross revenue they were expected to pay. In May, Fox pulled the plug on “Used Guys,” a futuristic comedy starring Ben Stiller and Jim Carrey, to be directed by Jay Roach, saying that the $112 million budget and back-end revenue deals were too high.
Mary Parent, a producer at Universal Pictures, said the breakup would not necessarily affect the movies that got made. “It’s like a divorce with people who have kids,” she said. “You figure out how to work with each other, for the kids’ sake. They’re all smart and know their core business. They’ll always do what’s best for their clients.”
Another thing that apparently hasn’t changed is the price tags of comedies. At Universal, “Evan Almighty,” the sequel to the Jim Carrey comedy “Bruce Almighty,” has soared far over budget to $175 million, according to executives close to the film, although the studio will not confirm that figure. And at Fox, “Night at the Museum,” starring Mr. Stiller, is so far costing close to $120 million, according to an executive close to the production.